Category: Op-Eds
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feature friday, 02/02
Needing some new music on this sunny Chicago Friday? Here’s what our Exec Board is listening to this week! “Shatter”, from Surrender – Maggie Rogers For: people who love the freeness of the city, amazing production and vocals. – Tamar Agam and Tori Aspurez “Shake Appeal”, Iggy & The Stooges For: doing a little dance and…
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What 2013 Means to Me: 10 Years Later
@colekincart In the midst of 2023, I found myself unintentionally immersed in the music I had grown up with. Whether it was a marketing ploy by the big-name record labels to get individuals like myself to spend more money on reissues I probably don’t need, I found an accidental reunion with my soundtrack of 2013.…
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Cole Kincart’s Best Albums of 2023
@colekincart In an age of never-ending lists and music stats, I find myself willingly subjected to and as a self-imposed user of the relentless onslaught of tier lists and the vicious ecosystem of incandescent rankings. Every year since my early high-school days in 2017, I’ve maintained a ritual: crafting a January playlist that serves as…
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Parquet Courts’ “Human Performance” Is Their Most Compelling Album Yet
There are countless many lines that can be drawn between Parquet Courts and other festival-heavy acts of the last five years. The group rose to prominence on the simultaneous nostalgia waves of revival surf punk and 60s-style psych, straddling the line between the nonchalance of groups like Wavves and the reverb-driven concentration of Cloud Nothings…
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Charles Bradley’s “Changes” Is True To Its Title, But Keeps Traditional Soul Sound Intact
This article originally appeared in TechNews Charles Bradley is an unlikely figure to be making the rounds on today’s music festival circuit, drawing crowds at annual destinations as diverse as Eaux Claires, Hangout Fest, and Coachella. His truly traditional blend of turn-of-the-70s soul and funk seems somewhat out of place even in a world that’s…
